I became a producer because I had songs in me that needed to come out and I felt like I had to do them justice.
That’s how I still approach every project. The song comes first, and I build everything around your vision.
Writing and producing my own music taught me what actually makes a song work and what holds it back before the production process even begins. I can hear what is needed, not just technically, but musically and emotionally.
First Release
One of my first releases with my band Loud Breeze, “Spomeni,” reached over 52,000 listeners on YouTube in the first week.
That’s when I knew I was on the right path. Not because of the numbers, but because I saw what happens when a song lands. People singing it back to me at gigs. Friends calling me because they heard it on the radio. And people telling me the stories it brought up for them. That’s what I’d love for you to experience.
My arangement philosophy...
The years I spent studying and recreating classical pieces from scratch shaped how I think about arrangement. I build arrangements where every instrument has a clear role.
I work like a detective...
I treat every song like a puzzle. Figuring out what you’re going for and what’s not quite clicking, even if you can’t fully put it into words yet
Sometimes you don’t need words. You can just hum an idea, and I’ll play it back to you on my instrument.
Making music can feel exposing. I believe the best ideas come out in a calm, judgment-free space where you feel comfortable experimenting without overthinking.
Start with a Song Clarity Session
Bring your voice memo, or demo. I’ll listen with you and help you understand what’s working, what’s missing, and what your song needs next.